This Week I...

On Friday I had another dentist appointment in London so I took the opportunity to see this years BP Portrait Award at the National Portrait Gallery.

Kristy by Geert Schless

One of my favourites was this portrait of the artist's wife, exploring how a depiction of a person can still be recognisable even when you can't see the face.

I like the quirkyness of the image and that fact it's really well painted. The detail on the black bag is incredible up close.

Self-portrait by Daniela Astone

I like this quiet self-portrait of the artist in her studio, with the dark, muted colours, the subtle brush strokes and a composition which almost makes the artist equal to the curtain. 

Self-portrait by Ian Cumberland

I really like this artist's style of painting, and when I checked my blog post about last years exhibition it turned out I liked it then as Cumberland has entered the competition before which another notable portrait.

Turning Point by Richard Geraint Evans

And I like this portrait of Emeli Sande. I'm not sure why, it just stood out to me. The painting was made just after the release of her first UK single Heaven which marked a turning point in her career. The painting features lyrics of the song.

How was your week?

BP Portrait Award

I was in London at the weekend so I popped in to the National Portrait Gallery to see this year's BP Portrait Award.

I've been to see it every year since I was 16 when I went with school for art.

Maybe one year I'll get round to entering it.

Today You Were Far Away by Ian Cumberland

This painting by Ian Cumberland was my favourite of the portraits exhibited.

It's a self portrait and has the kind of title that I like; it's suggestive of a story, and probably quite an angsty one at that. He just looks so sad!

And this guy has mad painting skills. The painting is quite large (1500x1000mm) and there's an incredible amount of detail gone in to it.

Bruised by Nathalie Beauvillain Scott

I also liked this painting by Nathalie Beauvillain Scott of her son.

He had been in a car accident and a violent attack, and the pictures in the background show him as a child, and the car involved in the attack.

It's an interesting concept to give additional information about the subject of the portrait by showing relevant images alongside them.

Self-Portrait by Jean-Paul Tibbles

What I liked about this portrait by Jean-Paul Tibbles (besides the artist's surname) was the way the eyes had been painted with really precise detail, but then the painting gets a bit rougher towards the edges. I think this helps to put the focus on the sitter's eyes to really draw in the viewer.

As part of my A level art course, a few years ago now, I did a whole project on portraiture. To get more information on the subject I emailed a bunch of the artists exhibiting in that years BP Portrait Award.

One of my favourite responses was from Morgan Penn who told me;

"-Art college taught me absolutely nothing [...] Art colleges are either obsessed with conceptual art or want you to go to Italy to study the masters (which is the kiss of death to any aspiring artist - why would you want to paint like someone did 400 years ago?) [...] Don't listen to your teachers, they don't know anything. Trust your instincts!-"